Studio practice Dust sheet

 

After the failure of the button collar I wanted to try again at making an Elizabethan inspired ruff- but also making sure I was trying out unusual materials but still made something that had an elegant and delicate feel to it. I found these works by Julie Smith- usually a landscape painter- she used sizoflor, a very thin woven web like material that florists use to wrap bouquets. It can be heated and molded around objects and stitched into- I'd planned to use this to make some sort of flowing woven ruff - sewing into it with golden threads, but it didn't arrive in time.




So instead I used a plastic dust. I knew from previous experiments that I could heat it and mold it around a shape easily. I really like the results - when the plastic melts it creates these beautiful lace like veins and you can keep layering strips to create whatever form you want, and it will hold when it solidifies.













I think this incorporates all the qualities of lace that I'm drawn to- it has a nice transparent quality, it's delicate- flows into different forms - while using interesting materials - also reminds me of the rabbit glue sculpture.




Comments

Post a Comment

Popular posts from this blog

Studio practice projecting image - fabric printing

Image
  Further developments projecting written words onto fabric - I printed images of the St Mary's church in Ilkeston- All Saints church- Morley church - images of the monuments that I has visited onto muslin - again the fabric that I had been using for my rubbings  Experimenting with hanging and pinning the material - and projecting more written words onto it, seeing how the light effects the image as it passes through the semi transparent material. I want to capture a fleeting sense of time and wear decay - weathered rags of hidden information lost to time                                                         Expanded on this idea - still printing on cream muslin- photo copying old images of Ilkeston that id sourced from old postcards and books I'd sourced from Ilkeston library  - rather than projecting the words I printed them-  I layered a piece of sizoflor ( image on the right) - it's web like surface soaked up ink - leaving this frazzled crackled texture on the surface
Read more

Studio practice final

Image
   After I decided not to go down the cyanotype route-  I went back to my original method were I had been printing onto muslin, I tried a couple different iterations - for example the image on the right I tried isolating the print into different coloured layers and then printing them so that they would overlap. whereas with my earlier hanging the transparency of the muslin worked to create a eerie ghost like work - I needed this the images must be crisp so  switched to printing on cotton.                                       Once I had printed each design onto cotton I tried different layouts- I wanted to incorporate the blue from the cyanotype and so I highlighted some of the main features in blue dyed muslin - to give the eye something to follow throughout the piece.                                                                                                                            Overall I am most happy with the journey of this piece I have enjoyed experimenting and collecti
Read more

Final bit

Image
Building off my PVC samples for my final piece of work   I preferred the idea of making prints rather than adapting my PVC samples into something wearable.    I knew that I wanted to up the scale and complexity - so more cut out bits- which might make producing prints difficult, so maybe more of a wall hanging type thing would work?  I want to keep it simple to draw the  attention to the texture and  delicacy of the work.   I then went over to screens print - I used a repeat pattern of the same machine knit image. Also did some Color tests. Played around with fading parts of the print - not applying paint to certain areas - thought I could use them to layer with later. Decided against Color and just kept to the black- I preferred the contrast between the transparent PVC and the black - the clear lines between the blocks of Color look crisper with the black.  When I got back to the studio and while waiting for the paint to fully dry I layered some of the Color prints on top of the black
Read more